The modes of Melodic minor are very similar to the modes of the major scale. The only difference between the modes of the major and the modes of the melodic minor scale is the 3rd. Both scales contain exactly the same notes, except the melodic minor has a lowered third. Each of these scales are their own identity, but for this lesson I am going to teach them how they relate to one key across the neck.
This scale is not used much in musical genres other than jazz and classical. There are differences between the melodic minor scale in jazz and the melodic minor scale in classical. For this lesson I am going to show you the jazz melodic minor scale. The difference is in classical music the melodic minor scale ascends with the melodic minor scale and descends with the natural minor scale. In jazz the melodic minor scale is the ascending part. They exclude the descending switch. The guitar Scales you will learn in this lesson are the jazz melodic minor. Let’s dive in and learn these.
As you can see there are some stretches in the fingerings. I suggest you finger those with the first (index) finger, middle finger and pinky. This is the easiest stretching. If you use your ring finger you will have a huge stretch between your ring and pinky fingers. Most people find stretching their first and middle fingers the easiest way to play those stretches.
Transpose these melodic minor scale shapes to all 12 keys. Make sure you know them well before you move on. These guitar scales are known as the jazz melodic minor scales, because they ascend and descend the same way. A great way to become familiar with these scales is to make up licks with them, play around with them and start using them in your playing. Below are all of these scales listed in order for your convenience in learning. Try to memorize their name with the shape; this will make further learning easier.
Melodic minor, Dorian b2, Phrygian dominant, Lydian dominant, mixolydian b6, semilocrian and superlocrian